In her 1978 New York Times article Hollywood Rediscovers the American Woman, Joan Mellen gives Goodbar a prominent place alongside titles like An Unmarried Woman (1978) as evidence of cinemas response to the feminist upheavals of the 1970s, yet argues that it is one of a number of current, womancentered films [that] cope with the rebellion of women against traditional roles only to support the status quo by discovering that the new styles of life are painful and destructive, thus reinforcing the conventional by negative example. The same could be said of Goodbar s depiction of gay men, who cavort with Theresa at a disco she frequents: it seems like a fun aside at first, but ultimately turns sour to fulfill a decisive narrative function
If you put in too much tobacco into the machine, you can easily excise it without creating an undesirable mess
"They will find a way to smoke anyway." "I think teenagers are going to smoke no matter what size of cigarettes are available," said a third interviewee
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