Camera Obscura Mark Pajak almost shamanistic one

almost shamanistic one

along with its companion piece ‘Truths and Reconciliations’

to an audience that is surprised to find itself more chastened

After Russia (1928) is considered to mark the high point in Marina Tsvetaeva’s output of shorter

Camera Obscura Mark Pajak almost shamanistic oneIn Camera Obscura, the dark chamber of the title is pierced by memory, real and imagined voices from the ancient and recent past and attempted communication across millennia and between species. Here a Schubert mass is remade as a poem, a sound recordist speaks from the battlefield of Towton and a Salisbury church builder bears witness to Magna Carta.